{"id":55586,"date":"2025-04-21T11:07:27","date_gmt":"2025-04-21T10:07:27","guid":{"rendered":"https:\/\/artmag.co.uk\/?p=55586"},"modified":"2025-04-21T12:49:33","modified_gmt":"2025-04-21T11:49:33","slug":"new-voices-new-energies-rgis-kelly-gallery-glasgow","status":"publish","type":"post","link":"https:\/\/artmag.co.uk\/new-voices-new-energies-rgis-kelly-gallery-glasgow\/","title":{"rendered":"New Voices, New Energies: RGI&#8217;s Kelly Gallery, Glasgow"},"content":{"rendered":"\n<p>Work by elected members of the <strong>Royal Glasgow Institute of the Fine Arts<\/strong> is to be seen in not one but two exhibitions across Scotland this month: in Glasgow and at <a href=\"https:\/\/artmag.co.uk\/magazine\/artmag-362\/#page=13\">Fidra Fine Art in Gullane, East Lothian<\/a>*.<\/p>\n\n\n\n<p>Recently-elected members are featured in the Glasgow exhibition <em>New Voices<\/em> at the RGI Kelly Gallery, including Gary Anderson, Sandi Anderson, Rosemary Beaton, Ashley Cook, Ian Cook, Carol Dewart, Michael Durning, Annie Ferguson, Joe Hargan, Hazel Nagl, David Schofield, Lara Scouller, Ann Wegmuller and Chris Wood.<\/p>\n\n\n\n<p>There is an engaging and varied selection of paintings, prints and stained glass in the show, and all works are for sale. This is the third exhibition since the Kelly Gallery\u2019s re-opening in late 2024, after the pandemic, as the RGI looks to the future.<\/p>\n\n\n\n<p>Some of the works in the current Glasgow show that caught my eye on visiting included:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-1024x1353.jpg\" alt=\"David Schofield, \u2018I Will Look For You In The Night Sky\u2019, oil on panel\" class=\"wp-image-55590 lazyload\"\/><noscript><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1353\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-1024x1353.jpg\" alt=\"David Schofield, \u2018I Will Look For You In The Night Sky\u2019, oil on panel\" class=\"wp-image-55590 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-1024x1353.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-480x634.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-114x150.jpg 114w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-768x1014.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel-1163x1536.jpg 1163w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018I-Will-Look-For-You-In-The-Night-Sky-oil-on-panel.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>David Schofield, \u2018I Will Look For You In The Night Sky\u2019, oil on panel<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-1024x1027.jpg\" alt=\"David Schofield, \u2018Waiting\u2019, oil on panel\" class=\"wp-image-55591 lazyload\"\/><noscript><img decoding=\"async\" width=\"1024\" height=\"1027\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-1024x1027.jpg\" alt=\"David Schofield, \u2018Waiting\u2019, oil on panel\" class=\"wp-image-55591 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-1024x1027.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-480x482.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-150x150.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel-768x771.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/David-Schofield-\u2018Waiting-oil-on-panel.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>David Schofield, \u2018Waiting\u2019, oil on panel<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>I Will Look For You In The Night Sky<\/em> by&nbsp;<strong>David Schofield<\/strong>,&nbsp;which<strong>&nbsp;<\/strong>depicts a tin toy chair-o-plane set in a maze, creating an air of mystery, as does his second picture&nbsp;<em>Waiting<\/em>,&nbsp;which captures what looks like a clockwork train, again deep in a topiary maze. Toys and trains are subjects the artist returns to frequently. Both works are in oils on panel.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-1024x753.jpg\" alt=\"Carol Dewart, \u2018View From A Hill\u2019, oil on board\" class=\"wp-image-55589 lazyload\"\/><noscript><img decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-1024x753.jpg\" alt=\"Carol Dewart, \u2018View From A Hill\u2019, oil on board\" class=\"wp-image-55589 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-1024x753.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-480x353.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-150x110.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board-768x565.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Carol-Dewart-\u2018View-From-A-Hill-oil-on-board.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Carol Dewart, \u2018View From A Hill\u2019, oil on board<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Carol Dewart<\/strong>&nbsp;creates an elevated view in her&nbsp;<em>View From A Hill<\/em> \u2013 a highly colourful semi-abstract painted landscape in oil on board, with paint strokes precisely applied in many patterns with the look of different forms of stitching, making an almost tapestry-like landscape. Known primarily as a painter, the artist did study embroidery for part of her time at Glasgow School of Art, and this looks to have informed her distinctive landscape painting work.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-1024x683.jpg\" alt=\"Michael Durning, \u2018Nuclear Elegance\u2019, watercolour and conte\" class=\"wp-image-55595 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-1024x683.jpg\" alt=\"Michael Durning, \u2018Nuclear Elegance\u2019, watercolour and conte\" class=\"wp-image-55595 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-1024x683.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-480x320.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-150x100.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte-768x512.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Michael-Durning-\u2018Nuclear-Elegance-watercolour-and-conte.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Michael Durning, \u2018Nuclear Elegance\u2019, watercolour and Conte<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Michael Durning<\/strong>&nbsp;has made several paddle steamer paintings, recalling a bygone era of travel on the Clyde. Here, the artist has one of these on show,&nbsp;<em>Nuclear Elegance, <\/em>in watercolour and Conte,<em>&nbsp;<\/em>where a vessel with elegant lines appears against the forbidding massive forms of a power station backdrop.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-1024x773.jpg\" alt=\"Rosemary Beaton, \u2018The Magical Loch\u2019, acrylic on board\" class=\"wp-image-55592 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"773\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-1024x773.jpg\" alt=\"Rosemary Beaton, \u2018The Magical Loch\u2019, acrylic on board\" class=\"wp-image-55592 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-1024x773.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-480x362.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-150x113.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board-768x580.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Rosemary-Beaton-\u2018The-Magical-Loch-acrylic-on-board.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Rosemary Beaton, \u2018The Magical Loch\u2019, acrylic on board<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Rosemary Beaton<\/strong>\u2019s&nbsp;<em>The Magical Loch<\/em>, in acrylic on board,<em>&nbsp;<\/em>scenically<em>&nbsp;<\/em>lives up to its title, in a lively style with a<em>&nbsp;<\/em>highly<em>&nbsp;<\/em>colourful palette of warm and cool colours, and some nice pencil work in the fishes in the loch foreground.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-1024x769.jpg\" alt=\"Ann Wegmuller, \u2018Tidal Flow\u2019, oil on board\" class=\"wp-image-55588 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"769\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-1024x769.jpg\" alt=\"Ann Wegmuller, \u2018Tidal Flow\u2019, oil on board\" class=\"wp-image-55588 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-1024x769.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-480x360.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-150x113.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board-768x577.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Ann-Wegmuller-\u2018Tidal-Flow-oil-on-board.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Ann Wegmuller, \u2018Tidal Flow\u2019, oil on board<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Ann Wegmuller\u2019s<\/strong>&nbsp;<em>Tidal Flow<\/em>, in oil on board, in soft blues and greens, conveys the movement of water, but not in a literal, pictorial way &#8211; the viewer can interpret the scene, which to me seems to show a water\u2019s edge with the landscape.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-1024x1008.jpg\" alt=\"Lara Scouller, \u2018Velvet Crab II\u2019, mono-screen print and pastel\" class=\"wp-image-55593 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1008\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-1024x1008.jpg\" alt=\"Lara Scouller, \u2018Velvet Crab II\u2019, mono-screen print and pastel\" class=\"wp-image-55593 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-1024x1008.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-480x472.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-150x148.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel-768x756.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Lara-Scouller-\u2018Velvet-Crab-II-mono-screen-print-and-pastel.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Lara Scouller, \u2018Velvet Crab II\u2019, mono-screen print and pastel<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Lara Scouller\u2019s&nbsp;<\/strong><em>Velvet Crab II<\/em><strong>,&nbsp;<\/strong>in<strong>&nbsp;<\/strong>mono-screen print and pastel, is one of her two works in the show and displays wonderful observation of the subject and vibrant coloured pastel work. A number of Lara\u2019s recent works have focused on \u2018little nippers\u2019 of this kind.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-1024x683.jpg\" alt=\"Hazel Nagl, \u2018Well Strand Fields, Kibarchan\u2019 and the \u2018Old Railway Bridge\u2019, both gouache and pastel\" class=\"wp-image-55594 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-1024x683.jpg\" alt=\"Hazel Nagl, \u2018Well Strand Fields, Kibarchan\u2019 and the \u2018Old Railway Bridge\u2019, both gouache and pastel\" class=\"wp-image-55594 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-1024x683.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-480x320.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-150x100.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel-768x512.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2025\/04\/Hazel-Nagl-\u2018Well-Strand-Fields-Kibarchan-and-the-\u2018Old-Railway-Bridge-both-gouache-and-pastel.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Hazel Nagl, \u2018Well Strand Fields, Kibarchan\u2019 and \u2018Old Railway Bridge\u2019, both gouache and pastel<\/em><\/figcaption><\/figure>\n\n\n\n<p>There is also a selection of small postcard-sized unframed works, including two works in gouache and pastel by&nbsp;<strong>Hazel Nagl<\/strong>,&nbsp;<em>Well Strand Fields, Kibarchan<\/em>&nbsp;and&nbsp;<em>Old Railway Bridge,&nbsp;<\/em>both of which feel as if they have been painted with great spontaneity, with a limited number of lines effectively used, and bold patches of colour.<\/p>\n\n\n\n<p>*Across the country, over twenty more RGI elected members are currently in exhibition at <a href=\"https:\/\/artmag.co.uk\/magazine\/artmag-362\/#page=13\">Fidra Fine Art in Gullane, in the show <em>Work on Paper<\/em><\/a>, running until 11th May 2025, and again with this collaboration some of Scotland\u2019s most accomplished contemporary artists are represented.<\/p>\n\n\n\n<p>In conversation at the Glasgow show, RGI Administrator and artist Michael Durning expressed the hope that the RGI is on its way to being revitalised through their re-started regular programme of exhibitions, and that the Institute can play a part in sustaining the cultural life of this area of the city centre. Close to Sauchiehall Street and Bath Street, the Glasgow School of Art, Centre for Contemporary Arts and other organisations, the area was recently designated a cultural heritage district by Glasgow City Council, with a view to meeting the many challenges faced here over recent years. <\/p>\n\n\n\n<p>With this fresh start and a strong new cohort of members, I look forward to seeing the RGI continue to raise its profile across Scotland, with its ongoing exhibitions and collaborations.<\/p>\n\n\n\n<p><em>The Glasgow exhibition runs until 26th April 2025. <\/em><\/p>\n\n\n\n<p><em>Note that up-to-date information can be found on <a href=\"https:\/\/www.instagram.com\/rgi1861\" target=\"_blank\" rel=\"noopener\">the RGI&#8217;s Instagram page<\/a>.<\/em><\/p>\n\n\n\n<p><em>With thanks to Gordon Reid for this review.<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p><b><i>Review<\/i><\/b>: Recently-elected members of The Royal Glasgow Institute of the Fine Arts are showing work at its Kelly Gallery in the city \u2013 one of two current exhibitions featuring work by its members.<\/p>\n","protected":false},"author":105302,"featured_media":55589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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