{"id":55215,"date":"2025-03-19T12:29:21","date_gmt":"2025-03-19T12:29:21","guid":{"rendered":"https:\/\/artmag.co.uk\/?p=55215"},"modified":"2025-03-19T12:29:24","modified_gmt":"2025-03-19T12:29:24","slug":"the-anomie-review-of-contemporary-british-painting-3","status":"publish","type":"post","link":"https:\/\/artmag.co.uk\/the-anomie-review-of-contemporary-british-painting-3\/","title":{"rendered":"The Anomie Review of Contemporary British Painting 3"},"content":{"rendered":"\n<p>This third anthology of contemporary British painting by Anomie showcases solo exhibitions in national and international galleries and museums defining the movement which have occurred since its predecessor appeared in 2021. It presents work by 85 artists at different stages of their careers born or living in Britain, ranging from senior figures exhibiting at major museums to emerging artists presenting for the first time at commercial galleries. Artists and venues featured in this new volume include Andrew Cranston at Ingleby Gallery in Edinburgh, Jad\u00e9 Fadojutimi (Hepworth Wakefield), Kathryn Maple (Walker Art Gallery, Liverpool), Mohammed Sami (Camden Art Centre, London) and Jonathan Wateridge (Nino Mier, Brussels).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This third anthology of contemporary British painting by Anomie showcases solo exhibitions in national and international galleries and museums defining the movement which have occurred since its predecessor appeared in 2021.<\/p>\n","protected":false},"author":101036,"featured_media":55203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[94],"tags":[],"topic":[256],"class_list":["post-55215","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-books","topic-book-reviews"],"acf":[],"_links":{"self":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts\/55215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/users\/101036"}],"replies":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/comments?post=55215"}],"version-history":[{"count":0,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts\/55215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/media\/55203"}],"wp:attachment":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/media?parent=55215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/categories?post=55215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/tags?post=55215"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/topic?post=55215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}