{"id":52141,"date":"2024-10-01T13:00:05","date_gmt":"2024-10-01T12:00:05","guid":{"rendered":"https:\/\/artmag.co.uk\/?p=52141"},"modified":"2024-10-10T11:56:42","modified_gmt":"2024-10-10T10:56:42","slug":"gallery-q-dundees-silver-platter-2","status":"publish","type":"post","link":"https:\/\/artmag.co.uk\/gallery-q-dundees-silver-platter-2\/","title":{"rendered":"Gallery Q Dundee&#8217;s Silver Platter"},"content":{"rendered":"\n<p>Dundee&#8217;s <strong>Gallery Q<\/strong> is celebrating its 25th anniversary this year, and has launched a special exhibition of work by popular Gallery artists to mark the event.<\/p>\n\n\n\n<p>The selection of artworks assembled in the two-storey space in the heart of Dundee\u2019s art district is quite remarkable: they all comprise a rich tapestry weaved by a selection of outstanding Scottish artists with prolific careers that range in medium, style and size.&nbsp;I have spoken to the curator of the Gallery, Lucinda Middleton, who has shared her reflections, insights and anecdotes from her time working in this veteran establishment.&nbsp;<\/p>\n\n\n\n<p>The Gallery occupies space in the city&#8217;s Queen\u2019s Hotel \u2013 a lavish Victorian building, steeped in history, with a gothic fa\u00e7ade and ashlar front. The building was a base from which Winston Churchill, Member of Parliament for Dundee 1908 &#8211; 1922, operated during wartime (the hotel even features a plaque commemorating Winston Churchill himself).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-1024x517.jpg\" alt=\"Works including John Johnstone, \u2018The Saturday Night Hop\u2019, oil on canvas, Irene McCann, \u2018Memories of Summer\u2019, oil on linen, and Martin Hill, \u2018French Hen\u2019, oil on board.jpg\" class=\"wp-image-52143 lazyload\"\/><noscript><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"517\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-1024x517.jpg\" alt=\"Works including John Johnstone, \u2018The Saturday Night Hop\u2019, oil on canvas, Irene McCann, \u2018Memories of Summer\u2019, oil on linen, and Martin Hill, \u2018French Hen\u2019, oil on board.jpg\" class=\"wp-image-52143 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-1024x517.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-480x242.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-150x76.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board-768x388.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Works-including-John-Johnstone-\u2018The-Saturday-Night-Hop-oil-on-canvas-Irene-McCann-\u2018Memories-of-Summer-oil-on-linen-and-Martin-Hill-\u2018French-Hen-oil-on-board.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Works including John Johnstone, \u2018The Saturday Night Hop\u2019, oil on canvas, Irene McCann, \u2018Memories of Summer\u2019, oil on linen, and Martin Hill, \u2018French Hen\u2019, oil on board<\/em><\/figcaption><\/figure>\n\n\n\n<p>The Gallery opened its doors in 1999, coinciding with the opening of Dundee Contemporary Arts Centre or DCA (<a href=\"https:\/\/artmag.co.uk\/seeds-of-history-claudia-martinez-garay-at-dca-dundee\/\">its recent <em>Claudia Martinez Garay<\/em> exhibition review can be read here<\/a>). Both are part of the roster of galleries that were at the forefront of Dundee\u2019s fledgling art scene at the time, and have been cultural hubs in their own right since.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-1024x1349.jpg\" alt=\"Catriona Millar, \u2018Golden Boy\u2019\" class=\"wp-image-52146 lazyload\"\/><noscript><img decoding=\"async\" width=\"1024\" height=\"1349\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-1024x1349.jpg\" alt=\"Catriona Millar, \u2018Golden Boy\u2019\" class=\"wp-image-52146 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-1024x1349.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-480x632.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-114x150.jpg 114w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-768x1012.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy-1166x1536.jpg 1166w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Catriona-Millar-\u2018Golden-Boy.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Catriona Millar, \u2018Golden Boy\u2019<\/em><\/figcaption><\/figure>\n\n\n\n<p>Lucinda became the second owner of the Gallery in 2018, and has seen the Gallery through tough times, especially the outbreak of the global pandemic. \u2018We have held exhibitions online\u2019, the current owner of Gallery Q shares. Nor have the numerous lockdowns changed the proportion of purchasing trends &#8211; the Gallery has a strong online presence, but mainly still sells directly from on-site (including a recent despatch to Australia!). There are also returning customers, who are after works by a specific artist and who would prefer to view them on-site, which is an optimistic trend.<\/p>\n\n\n\n<p>Lucinda also commented on the current funding situation in Scotland &#8211; the scrapping of art and culture grants that are part and parcel of artists&#8217; practice. \u2018Grants enable artists to function, and if the artists can\u2019t function, we have nothing to show\u2019, Lucinda shared. Such is the current reality of arts sector in Scotland, but that will hopefully alter course.&nbsp;<\/p>\n\n\n\n<p>The Gallery\u2019s range has been diversified by the introduction of decorative works such as ceramics and glassworks, and recycling works that have already been on display.&nbsp;<\/p>\n\n\n\n<p>Back to the exhibition at hand: the aim of this show is to look back on the achievements of Gallery Q, from its foundation to the present day. Many displayed artists have been with the Gallery since its inception, notably Francis Boag, Irene McCann and Heather Soutar.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--1024x726.jpg\" alt=\"Francis Boag, 'East Coast Reds', acrylic on paper\" class=\"wp-image-52142 lazyload\"\/><noscript><img decoding=\"async\" width=\"1024\" height=\"726\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--1024x726.jpg\" alt=\"Francis Boag, 'East Coast Reds', acrylic on paper\" class=\"wp-image-52142 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--1024x726.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--480x340.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--150x106.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper--768x545.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Francis-Boag-East-Coast-Reds-acrylic-on-paper-.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Francis Boag, &#8216;East Coast Reds&#8217;, acrylic on paper<\/em><\/figcaption><\/figure>\n\n\n\n<p>A Dundonian himself, Boag is a prolific artist whose ability to combine vivid colours such as magenta, cadmium orange and indigo blue in the same composition while retaining a visual harmony is unparalleled, whether portraits or landscape of Scotland, they are equally memorable.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--1024x711.jpg\" alt=\"Claire Harkess, 'Red Breast and Evergreen'\" class=\"wp-image-52149 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"711\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--1024x711.jpg\" alt=\"Claire Harkess, 'Red Breast and Evergreen'\" class=\"wp-image-52149 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--1024x711.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--480x333.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--150x104.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen--768x533.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Red-Breast-and-Evergreen-.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Claire Harkess, &#8216;Red Breast and Evergreen&#8217;<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--1024x760.jpg\" alt=\"Claire Harkess, 'Autumn Evenings', watercolour\" class=\"wp-image-52147 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"760\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--1024x760.jpg\" alt=\"Claire Harkess, 'Autumn Evenings', watercolour\" class=\"wp-image-52147 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--1024x760.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--480x356.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--150x111.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour--768x570.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Claire-Harkess-Autumn-Evenings-watercolour-.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Claire Harkess, &#8216;Autumn Evenings&#8217;, watercolour<\/em><\/figcaption><\/figure>\n\n\n\n<p>An artist whose artworks &#8216;stand out&#8217;, yet in an understated way, is Claire Harkess. Her muted watercolours and horizontally-orientated compositions evoke a Japanese affinity to art. By focusing on one subject at a time, such as a robin or tree branches, Harkess\u2019 compositions read as quiet admirations of nature and wildlife. Her treatment of each composition with a certain haze or patina renders her work slightly haunting, as if the subject might soon disappear from the horizon and become a timely reminder of how precious our natural surroundings and their inhabitants are.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--1024x981.jpg\" alt=\"John McIntyre, 'The Red Cafe, London', oil on canvas\" class=\"wp-image-52145 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"981\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--1024x981.jpg\" alt=\"John McIntyre, 'The Red Cafe, London', oil on canvas\" class=\"wp-image-52145 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--1024x981.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--480x460.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--150x144.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas--768x736.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/John-McIntyre-The-Red-Cafe-London-oil-on-canvas-.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Joe McIntyre, &#8216;The Red Cafe, London&#8217;, oil on canvas<\/em><\/figcaption><\/figure>\n\n\n\n<p>Two works located closer to the window front, draw one\u2019s attention: the warm light that emanates from Joe McIntyre\u2019s renditions of urban caf\u00e9 settings lend a cosy atmosphere, making one linger next to them for longer. Complementing this, Martin Hill\u2019s equally unhurried paintings of a hen and a stowed-away turquoise boat provide a glimpse into a quaint atmosphere of a countryside.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--1024x1405.jpg\" alt=\"\u2018Memories of Summer\u2019 by Irene McCann and Graem Muir\u2019s glassworks\" class=\"wp-image-52148 lazyload\"\/><noscript><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1405\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--1024x1405.jpg\" alt=\"\u2018Memories of Summer\u2019 by Irene McCann and Graem Muir\u2019s glassworks\" class=\"wp-image-52148 lazyload\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--1024x1405.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--480x658.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--109x150.jpg 109w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--768x1053.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks--1120x1536.jpg 1120w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2024\/10\/Graem-Muirs-glassworks-.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Irene McCann, \u2018Memories of Summer\u2019 and Graeme Muir\u2019s glassworks<\/em><\/figcaption><\/figure>\n\n\n\n<p>In order to keep audiences engaged, Lucinda has made the astute move to diversify the range of artworks by including decorative art into the fold, particularly fond of glass and ceramic media. The abstract glass compositions by Graeme Muir and ceramic wall reliefs by Helen McIntyre add a different dimension to the exhibiting space, while the tactility of the decorative pieces encourages a bond between the viewer and the artwork.\u00a0<\/p>\n\n\n\n<p>Altogether, this exhibition is a testament to Scottish talent across the board that showcases a kaleidoscopic variety of works of various media, from traditional fine art to unique decorative pieces, that are rewarding to explore.<\/p>\n\n\n\n<p><em>With tanks to Anna Shevetovska<\/em> <em>for this review.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p><b><i>Review<\/i><\/b>: Dundee&#8217;s Gallery Q is celebrating its 25th anniversary this year, and is mounting a special exhibition of work by popular Gallery artists to mark the event.<\/p>\n","protected":false},"author":10,"featured_media":52154,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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