{"id":28292,"date":"2020-12-10T10:27:35","date_gmt":"2020-12-10T10:27:35","guid":{"rendered":"http:\/\/artmag.co.uk\/?p=28292"},"modified":"2023-07-11T13:54:07","modified_gmt":"2023-07-11T12:54:07","slug":"the-grand-tour","status":"publish","type":"post","link":"https:\/\/artmag.co.uk\/the-grand-tour\/","title":{"rendered":"The Grand Tour"},"content":{"rendered":"<p>We have Attila the Hun to thank for Venice. When his rampaging hordes entered Italy in the 5th century AD upon the collapse of the Roman Empire, the good citizens of the northeast plain took refuge on a hundred or so flat, marshy islands out in the lagoon at the edge of the Adriatic Sea.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>A network of bridges and causeways gradually linked many of the islands and, to ensure a quick getaway by water, the inhabitants built a honeycomb of canals instead of streets. The unique city of Venice grew up and became a maritime and trading powerhouse, lavishing its mercantile wealth on fabulous art and architecture.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>If, like most visitors, your time is limited to a few days and you want to pack in as much art as possible, what better way than to make your way down (or up) one of the world\u2019s most famous waterways, the Grand Canal, where you will find half a dozen world class public and private art museums with collections covering a wide spectrum of art genres and eras. Some are literally lapped by waves from passing \u2018vaporettos\u2019, \u2018motoscafos\u2019 and, yes, gondolas, with \u2013 added bonus &#8211; among the best canal-side cafe locations in all of Venice.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<figure id=\"attachment_28301\" aria-describedby=\"caption-attachment-28301\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-28301 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871.jpg\" alt=\"Ca\u2019 Pesaro\" width=\"1200\" height=\"900\" \/><figcaption id=\"caption-attachment-28301\" class=\"wp-caption-text\"><noscript><img decoding=\"async\" class=\"size-full wp-image-28301 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871.jpg\" alt=\"Ca\u2019 Pesaro\" width=\"1200\" height=\"900\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871-480x360.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871-1024x768.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871-150x113.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871-768x576.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120871-600x450.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>Ca\u2019 Pesaro<\/em><\/figcaption><\/figure>\n<p>Towards the north end of the Grand Canal, the <b>Ca\u2019 Pesaro<\/b> International Gallery of Modern Art contains the municipal collection, which was started in 1897, the yar of the second Biennale. Better known as Ca\u2019 Pesaro after the family which built the 17th century palace which houses it (\u2018ca\u2019 means \u2018house of\u2019), the museum\u2019s collection was enriched over the years by further donations and acquisitions, often acquired at the Biennale<b>.<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Works by many household names are included, such as De Chirico, Calder, Klee, Miro, Ernst and Kandinsky. Particularly moving is Angelo Morbelli\u2019s sombre and sobering <i>The Christmas of Those Left Behind <\/i>(1903), while Joaquin Sorolla y Bastida\u2019s magnificent \u2018Sewing the Sail\u2019 (1986) is a masterclass in capturing light. <b>capesaro.visitmuve.it\/en\/home<\/b><\/p>\n<figure id=\"attachment_28294\" aria-describedby=\"caption-attachment-28294\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-28294 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013.jpg\" alt=\"Ca\u2019 Rezzonico\" width=\"1200\" height=\"675\" \/><figcaption id=\"caption-attachment-28294\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28294 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013.jpg\" alt=\"Ca\u2019 Rezzonico\" width=\"1200\" height=\"675\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013-480x270.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013-1024x576.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013-150x84.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013-768x432.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/20150615_155013-600x338.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>Ca\u2019 Rezzonico<\/em><\/figcaption><\/figure>\n<p>Next stop down the canal is <b>Ca\u2019 Rezzonico<\/b>, with its sumptuous entrance hall to rival Versailles and a ceremonial staircase connecting the display floors. Upon its completion in 1756, the most important painters in Venice were called upon to decorate it with frescoes and trompe l\u2019oeil<i> <\/i>works<i>.<\/i><\/p>\n<p><i> <\/i>The collection of ceramics, tapestries, furniture, objets d\u2019art, mirrors and statuary give a peek into an aristocratic, 18th century Venetian lifestyle. Look out for a massive, 20-candle Murano glass chandelier decorated with delicate glass flowers.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>In contrast to the rest of the building, the top floor has a more contemporary feel, with polished floors and soft, modern lighting falling on a superb collection of 16th and 17th century paintings. <b>carezzonico.visitmuve.it\/en\/home<\/b><\/p>\n<figure id=\"attachment_28303\" aria-describedby=\"caption-attachment-28303\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28303 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7.jpg\" alt=\"Palazzo Grassi\u00a0\" width=\"1200\" height=\"1069\" \/><figcaption id=\"caption-attachment-28303\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28303 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7.jpg\" alt=\"Palazzo Grassi\u00a0\" width=\"1200\" height=\"1069\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7-480x428.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7-1024x912.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7-150x134.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7-768x684.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Raysse_IV_7-600x535.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>Palazzo Grassi<\/em><\/figcaption><\/figure>\n<p>Directly opposite Ca\u2019 Rezzonico on the other side of the Grand Canal is <b>Palazzo Grassi<\/b>.<b> <\/b>Owned by the billionaire French collector Francois Pinault (owner of Gucci, Yves Saint Laurent, Christie\u2019s et al), the Palazzo Grassi presents major contemporary exhibitions in its 40 rooms. Featured artists have included Picasso, Irving Penn, Martial Raysse, Luc Tuymans and Damien Hirst, whose <i>Treasures from the Wreck of the Unbelievable<\/i> was the talk of the 2017 Biennale. Other shows are drawn from the Pinault Collection. <b>www.palazzograssi.it<\/b><\/p>\n<figure id=\"attachment_28300\" aria-describedby=\"caption-attachment-28300\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28300 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551.jpg\" alt=\"Gallerie dell\u2019Accademia\" width=\"1200\" height=\"900\" \/><figcaption id=\"caption-attachment-28300\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28300 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551.jpg\" alt=\"Gallerie dell\u2019Accademia\" width=\"1200\" height=\"900\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551-480x360.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551-1024x768.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551-150x113.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551-768x576.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120551-600x450.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>Gallerie dell\u2019Accademia<\/em><\/figcaption><\/figure>\n<p>The <b>Gallerie dell\u2019Accademia<\/b> is a temple to some of the greats of pre-19th century art, many of whom influenced the whole history of European painting. The rich collection ranges from Byzantine and Gothic 14th century paintings to artists of the Renaissance to 18th century masters. Highlights include triptychs by Hieronymus Bosch, religious studies by Bellini and Tintoretto, iconic scenes of Venice by Canaletto and allegorical and mythological works by Titian.<\/p>\n<p>Add to the sombre subject matter of many of the works (crucifixions, martyrs of saints and various other violent deaths) the low level lighting and heavily wood-panelled walls, and it all makes for a rather oppressive, even sinister atmosphere. However, it would take a hard heart not to be impressed by the stupendous ceilings in the upper floors. <b>www.gallerieaccademia.it<\/b><\/p>\n<figure id=\"attachment_28299\" aria-describedby=\"caption-attachment-28299\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28299 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim.jpg\" alt=\"\u00a9 Peggy Guggenheim Collection, Venice. Photo: AndreaSarti\/CAST1466\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-28299\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28299 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim.jpg\" alt=\"\u00a9 Peggy Guggenheim Collection, Venice. Photo: AndreaSarti\/CAST1466\" width=\"1200\" height=\"800\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim-480x320.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim-1024x683.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim-150x100.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim-768x512.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Guggenheim-600x400.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>\u00a9 Peggy Guggenheim Collection, Venice. Photo: AndreaSarti\/CAST1466<\/em><\/figcaption><\/figure>\n<p>After showing her collection of Cubist, Abstract, Surrealist and Expressionist work at the Venice Biennale in 1948, the American collector and socialite Peggy Guggenheim (1898-1979) bought the Palazzo Venier dei Leoni, an 18th century palace still to be completed (which explains its rather stunted appearance) and developed it into the <b>Peggy Guggenheim Museum<\/b>. Entered through a charming sculpture garden, it is one of the finest small art museums in the world and one of the most visited attractions in Venice.<\/p>\n<p>A list of artists represented in the permanent collection reads like a Who\u2019s Who of 20th century greats. Ernst (phantasmagorical figures in <i>The Antipope<\/i> and <i>Attirement of the Bride<\/i>), Magritte (<i>Empire of Light<\/i>), Miro (<i>Seated Woman II)<\/i>, Motherwell, Stella, de Kooning, Chagall, Rothko, Dubuffet, Warhol (<i>Flowers<\/i>), Calder (an intricate bedhead made for Guggenheim\u2019s four-poster bed, complete with a photo of Peggy lying on it), Picasso, Dali, Pollock \u2013they\u2019re all here in a stand-out collection in any city. <b>www.guggenheim-venice.it<\/b><\/p>\n<figure id=\"attachment_28302\" aria-describedby=\"caption-attachment-28302\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28302 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285.jpg\" alt=\"Punta della Dogana\" width=\"1200\" height=\"711\" \/><figcaption id=\"caption-attachment-28302\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28302 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285.jpg\" alt=\"Punta della Dogana\" width=\"1200\" height=\"711\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285-480x284.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285-1024x607.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285-150x89.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285-768x455.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/P1120893-e1607594910285-600x356.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>Punta della Dogana<\/em><\/figcaption><\/figure>\n<p>Also run by the Pinault Foundation and a sister museum to the Palazzo Grassi, the<b> Punta della Dogana<\/b> is named after the tip of the Dorsoduro district and the building which once served as Venice\u2019s customs building. (\u2018Dogana\u2019 is Italian for customs.)<\/p>\n<p>A major refurb in the early 2000s retained the soaring, bare brick interior walls around cavernous halls, while adding polished concrete floors, making for the feeling of a modern \u2018art warehouse\u2019. The windows on either side of the pointed end of the structure offer some of the best views from an art gallery anywhere in the world \u2013 on one side, up the Grand Canal and across to Saint Mark\u2019s and on the other side over to the neighbouring island of Giudecca. <b>www.palazzograssi.it\/en\/about\/sites\/punta-della-dogana<\/b><\/p>\n<p>Just around the corner on the long quayside called Fondamenta delle Zattere (named after the rafts which used to unload their timber there), the <b>Vedova Foundation <\/b>is named after the Venetian painter Emilio Vedova (1919-2006) and promotes both his work and that of other artists which might be seen to have a \u2018dialogue\u2019 with Vedova\u2019s work. The exhibition space is in a former warehouse beautifully restored by the Italian architect Renzo Piano, who retained its bare brick walls and amazing, beamed ceiling. <b>www.fondazionevedova.org<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>Church art and music<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Venice\u2019s biggest church, the <b>Santa Maria Gloriosa dei Frari <\/b>church, or simply the Frari, houses paintings and sculptures by a host of Italian masters, notably Titian\u2019s <i>Assumption of the Virgin<\/i> (the church is dedicated to Mary), the largest panel painting in the world. The artist himself lies in his also Carrara marble tomb. Nearby the interior of the <b>Scuola Grande di San Rocco<\/b> is decorated by Tintoretto and his <i>Annunciation <\/i>and <i>Flight into Egypt <\/i>are both there. \u2018Scuole\u2019 (schools) are artistic brotherhoods which have preserved a treasure-trove of work over the centuries.<\/p>\n<p>The Frari is also a superb place to hear an orchestral or choral performance. Over the centuries, Venice has drawn composers like a magnet, and many churches, \u2018palazzi\u2019<i> <\/i>and other venues host music recitals (often of works which received their premieres in the very same places), with the performers wearing the historical costumes of the day. The <b>Church of Santa Maria della Pieta<\/b>, also known as \u201cVivaldi\u2019s church\u201d, frequently presents the maestro\u2019s music.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28298 alignnone lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari.jpg\" alt=\"Frari\" width=\"1200\" height=\"675\" \/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28298 alignnone lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari.jpg\" alt=\"Frari\" width=\"1200\" height=\"675\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari-480x270.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari-1024x576.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari-150x84.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari-768x432.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/Frari-600x338.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript><\/p>\n<p>&nbsp;<\/p>\n<p><b>The Venice Biennale<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p>\n<p>Established in 1895 to promote Italian art and interrupted only for six years during WWII, the Venice Biennale is the greatest show on earth for art-lovers.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Over the years many major names have appeared, such as Gustav Klimt (1905), Henri Matisse (1950), Cy Twombly (2001), Ed Ruscha (2005), Tracey Emin (2007) and Damien Hirst (whose Treasures from the Wreck of the Unbelievable was a huge draw in 2017).<\/p>\n<p>The festival is spread over two locations: the Giardini (Gardens), the original, picturesque site resembling an Olympic Park for art with permanent national pavilions designed by the likes of Gerrit Rietveld (Netherlands) and Alvar Aalto (Finland), with a huge mixed exhibition in the Central Pavilion; and the Arsenale, the great 16th century shipyard where the Venetian empire built and launched its fleet. Normally closed to the public, the Biennale offers a rare chance to see inside the sprawling site so big that golf carts are available for the footsore. In addition, dozens of \u2018collateral\u2019 events from museum quality exhibitions to pop-up shows are dotted around the city in palaces, deconsecrated churches and other buildings.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>First-time visitors to the Biennale will be struck at how the lines between art, music, poetry, film, literature, performance, installation, soundscape, text, video, politics and social commentary have been blurred.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Inevitably, a visit to the Biennale becomes an endurance test. Good intentions to give every contribution a fair look eventually disappear under the sheer scale of it all and making it to the finishing line becomes the main aim. After a while one sign finally causes the heart to soar. It says \u2018Cafe\u2019.Conclusion: Great art? Very little. Bad art? Plenty. Non-art? Tons of it. Unmissable? Absolutely. <b>www.labiennale.org<\/b><\/p>\n<figure id=\"attachment_28295\" aria-describedby=\"caption-attachment-28295\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28295 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge.jpg\" alt=\"In 2017 Lorenzo Quinn built a pair of giant hands reaching up out of the Grand Canal. For 2019 his largest work to date, Building Bridges,featured not one, but six pairs of hands touching and clasping across the canal entering the Arsenale. Representing the six values of friendship, wisdom, help, faith, hope and love, the hands symbolised people overcoming their differences. Said Quinn: \u201cVenice is the city of bridges. It is the perfect location to spread a message of world unity.\u201d\u00a0\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-28295\" class=\"wp-caption-text\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28295 lazyload\" src=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge.jpg\" alt=\"In 2017 Lorenzo Quinn built a pair of giant hands reaching up out of the Grand Canal. For 2019 his largest work to date, Building Bridges,featured not one, but six pairs of hands touching and clasping across the canal entering the Arsenale. Representing the six values of friendship, wisdom, help, faith, hope and love, the hands symbolised people overcoming their differences. Said Quinn: \u201cVenice is the city of bridges. It is the perfect location to spread a message of world unity.\u201d\u00a0\" width=\"1200\" height=\"800\" srcset=\"https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge.jpg 1200w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge-480x320.jpg 480w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge-1024x683.jpg 1024w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge-150x100.jpg 150w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge-768x512.jpg 768w, https:\/\/artmag.co.uk\/wp-content\/uploads\/2020\/12\/bridge-600x400.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/noscript> <em>In 2017 Lorenzo Quinn built a pair of giant hands reaching up out of the Grand Canal. For 2019 his largest work to date, Building Bridges,featured not one, but six pairs of hands touching and clasping across the canal entering the Arsenale. Representing the six values of friendship, wisdom, help, faith, hope and love, the hands symbolised people overcoming their differences. Said Quinn: \u201cVenice is the city of bridges. It is the perfect location to spread a message of world unity.\u201d<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Art museums from every genre and era border Venice\u2019s Grand Canal.<\/p>\n","protected":false},"author":14,"featured_media":28296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_links_to":"","_links_to_target":""},"categories":[46],"tags":[],"topic":[255],"class_list":["post-28292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-travel","topic-travel"],"acf":[],"_links":{"self":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts\/28292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/comments?post=28292"}],"version-history":[{"count":0,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/posts\/28292\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/media\/28296"}],"wp:attachment":[{"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/media?parent=28292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/categories?post=28292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/tags?post=28292"},{"taxonomy":"topic","embeddable":true,"href":"https:\/\/artmag.co.uk\/wp-json\/wp\/v2\/topic?post=28292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}